Footprint Center, Phoenix
7th September, 2022

Another band gets crossed off the bucket list – more likely theirs than mine. Though it has to be said, Simon Le Bon is looking very impressive for someone who will start collecting his old age pension next year, after a long career of unrestrained debauchery. Well, I’m assuming there was debauchery involved. I’d be quite disappointed if he and his colleagues had spent the last forty years leading a monk-like life of aesthetic restraint and celibacy. Especially since, going by the audience at this event, I suspect quite a few women would still be willing to die on that particular hill. Maybe some men too. I don’t judge.

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Farnsworth Hall, Mesa
June 26th, 2022

I got to cross off two eighties icons for the price of one here, and also visit a venue we’d not been to before. Looking at their schedule (or even the marquee outside, above), they seem to specialize in tribute groups, e.g. Ronstadt Revival, The Magic Of Manilow or – and I quite liked this one’s name – Shania Twin. These caused one friend to wonder if we were sure these were going to be the real Howard Jones and Midge Ure. I am pleased to confirm we did not have to accept any imitations.

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Paramount Theater, Denver
March 14th, 2022

It took a very long time before I got to see OMD live. I think I became aware of them in the autumn of 1980, when their first hit, Enola Gay, hit Radio 1. I was certainly a fan: Architecture and Morality was on very heavy rotation on my bedroom record-player, though they drifted off my radar after Paul Humphreys left the group in 1989. Their re-formation in the mid-2000’s was well off my radar, but a few years ago, I bumped into a documentary about the group on YouTube, which re-ignited my interest. In January 2019 – a mere thirty-nine years after first hearing them – I finally got to see OMD when they played Tucson, Arizona in support of an art exhibition about, of all things, dazzle camouflage.

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Warfield Theater, San Francisco
March 11th, 2022

After two days there, I am convinced San Francisco is a hell-hole. Chris’s catchphrase on the trip was “I smell weed”, while mine was “Insane homeless person or angry Bluetooth caller?” Even the iconic cable-cars are terrible. You spend 45 minutes waiting to get on, in frigid conditions, then the view you get as you bounce around like a bingo-ball is this, because it’s so overpacked. It therefore says something about my love of Sparks that we were prepared to endure all of this and go there for the band – the first time I’d ever seen them live, after almost fifty years of liking them

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I remember seeing ABBA winning the Eurovision Song Contest in April 1974. I was only seven at the time, so wasn’t particularly paying attention. But if you’d told my young Scottish self that, approaching half a century later, I’d be heading off to a casino in Arizona to see an ABBA tribute band, I’d certainly not have believed you. My affection for Sweden’s finest export was a slow-brewing affair. While I was aware of them, my teenage years were more devoted to New Wave and New Romantic bands: Abba seemed… retro. Interest in them was largely limited to debates over whether you fancied the blonde or brunette. [For the record, I was on Team Agnetha] Besides, my parents liked Abba. By the rules of teenagerhood, I could not possibly do so.

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