The Strange Undoing of Prudencia Hart

prudenciaI don’t go to see plays. Which is kinda odd, given both my interest in other dramatic arts, such as film, and that back in my school days, I was a devoted member of the drama club, both writing and acting (the former was, truth be told, rather too informed by a devotion to the works of Douglas Adams, but since hardly anyone else was, I largely got away with it). However, that ended when I went to college, my storytelling and performing skills were used for D&D instead. In the 30-plus years since then, the number of plays (rather than musicals) I’ve attended can probably be counted on the fingers of one hand. But Chris got us tickets to see this for my birthday, not least because it was a touring production by the National Theatre of Scotland which was coming through Phoenix. Certainly, it was an intriguing premise, and had a nice gimmick – but would that translate into actual entertainment, or would I be reduced to surreptitiously checking my phone every 10 minutes?

Read More

Revolting Cocks: London Astoria, January 24th, 1991

London Astoria, taken by C Ford March 04. CC-BY-SA license

The Internet never forgets. Or it might forget, but it has a tendency to remember again later, coughing up hair-balls of long-forgotten events that you’d be prepared to swear had been consigned to the trash-can of history. Or, in this case, the TC archives, for tucked away in the corner of And This Is What The Devil Does, was a grainy, obviously ripped from VHS (complete with rolling tracking lines) recording of the Revolting Cocks live performance at the Astoria in London from January 24, 1991.

This was an event which I had attended, and written about all the way back in TC 9. It remained one of my all-time most memorable live experiences: all gigs, even the Rammstein one written about a month or two back, were measured up against it, I had, at one point, a copy of the same bootled vid, but this had gone among the missing in the two decades and 5,500 miles of relocation since.

The Astoria, meanwhile, had bit the bullet as well, having been demolished in 2009 as part of the London Crossrail project. My other leading memory from there is a show with Front Line Assembly + Sheep on Drugs, which seems have taken place in October 1995. The basement formed another venue, known as the Astoria 2, and it was in there that I saw VNV Nation in 2000, less than a month before moving permanently out to Arizona…and seeing the band again on the night I arrived in Phoenix! But to get back to the RevCo gig…

Read More

Help Us Fund Phoenix FearCON V:

Hello Horror Fans!

We’re crowd sourcing some funding for our Horror Film Festival this year (Phoenix FearCON V) and hope you would be interested in sharing our Kickstarter project with your fans. With a little support from a bunch of backers, we’re partnering up with the community of horror fans and a sense of accomplishment that didn’t hurt in the pocket too much.

Horror Fans worldwide are a loyal lot and we’re making it simple for them invest a small amount and be part of something big. All we need is 1000 people to pledge $20 or more each, and it will be ridiculous fun at this year’s FearCON Pledging to our project includes a bunch of perks including VIP tickets to the event.

Here’s the link to pass on to whomever you like:

http://www.kickstarter.com/projects/1025725823/phoenix-fearcon-5-international-independent-horror

Thanks again!!
Chris & Jim – Festival Directors
Phoenix FearCON V

Rammstein: Jobing.com Arena, Phoenix AZ, May 18th 2012

My first encounter with Rammstein was on the soundtrack of David Lynch’s Lost Highway in 1997, where I initially mistook them for Laibach – and wasn’t the first to do so. Somewhat snarkily, Laibach said, “They have proven once again that a good ‘copy’ can make more money on the market than the ‘original’. Anyhow, today we share the territory: Rammstein seem to be a kind of Laibach for adolescents and Laibach are Rammstein for grown-ups.” I’ve particularly wanted to see Rammstein live since hearing Rob Dyer’s tales of spectacles such as keyboard player Christian “Flake” Lorenz sailing out onto the audience in an inflatable boat. But I moved out to Arizona before they came back, and missed their 2001 tour so had to wait. And wait. Finally, I heard that they’d be playing here, and I’d get to see Rammstein live, 15 years after first hearing them – I think that’s a record, pipping the 14 years before I saw The Human League. At least until I ever see John Foxx (21 years and counting!).

Read More

Wrestlemania 26: An eye-witness review

wm2601If, as previously argued, wrestling has the potential to be art, then Wrestlemania is its Hermitage, Louvre and Guggenheim all rolled into one, except far more popular. The 26th incarnation of this wrestling extravaganza, with eleven matches in total, was held in Phoenix over the weekend. To give you some idea of the scale, it drew more people to the University of Phoenix stadium (confusingly, located in Glendale, not Phoenix), than when the Superbowl was held there in 2008, and setting a gate receipt record of $5.8m.

Along with 72,217 other people, Chris and I were in attendance, and after the jump, you’ll find our eye-witness review of the sports entertainment spectacle. But if you want to save time, we agreed that next year we’ll watch it on pay-per-view…

Read More