Spike and Mike’s Sick & Twisted Animation Show: 1998-2004


The Spike and Mike Sick and Twisted Animation Festival grew out of an animation festival run by Craig ‘Spike’ Decker and Mike Gribble, which started in California in 1977.  The “twisted” side started in 1990 with a screening of the adult content animations in the Wheeler Auditorium at UC Berkeley, and grew from there to such an extent that by the start of the new millennium, the original festival was phased out entirely.  In the early days, Spike and Mike – sometimes along with their Scottie dog – would act as “ring-masters” for the show, and would also tour with the films round rep cinemas.

Many notable animators shown at these events would go on to greater fame, notably Bill Plympton and Mike Judge, as well as Trey Parker + Matt Stone. Although Mike died of cancer in 1994, Spike continued with the festival, which lives on to this day [though according to the website, the latest version “contains less monocle-spinning gross-out gags than S&T, and rather focuses on the flat-out best and funniest animated shorts that the world has to offer.”

To some extent, the purpose of the event has been removed, as the Internet now makes it a lot easier for aspiring animators to get their work out there. But below, you’ll see reviews of the four festivals we attended in Arizona, from 1998-2004.


This American Ambassador is writing to inform her European and American fans of Trash City that there is life outside of the pub and strip clubs. That out there you will find what you are looking for. That there is meaning to our dull and dreary existences. And we can find this in trying to put reason or rhyme behind what I just witnessed tonight.

Anyone with a penchant for the sick and twisted, the rude and the offensive will certainly have their needs satisfied after witnessing the Animation Festival I just attended in the small dreary little college town of Tempe Arizona, home of the Arizona Diamondbacks, the Cardinals, the Rattlers and the Coyotes.. And now the dwelling for the next 10 days of Spike and Mike’s Sick and Twisted Animation Festival..

Let’s start with the announcement.. “Anyone who is offended by sick, twisted, rude and offensive material can just get the fuck out and we will be happy to give you a refund”

In the meanwhile, let’s take a peek at what we saw tonight, that might have been misconstrued as such by some — or should I say most? I have never laughed so hard in my life. 24 short cartoons were shown depicting everything from “A to Zits” including such delights as: bestiality, pedophilia, gaseous bodily functions, oral sex, religious offenses. and full penetration (shown for the first time here) along with a South Park episode on the big screen that will stay in my mind forever.

All the cartoons were 5 minutes or less with a 15 minute intermission And although there were a couple of shorts that were extraordinarily offensive (and I mean “gagging to death”), they were mostly very funny and entertaining and I recommend Spike and Mike to anyone who is not:

  • a.) squeamish
  • b.) religious
  • c.) easily offended
  • d.) dead
  • e.) legless

Following are short synopses of the cartoons shown on this tour:

  • “Use Instructions” Does anyone like butts? Asses? Backsides? Anus(es)? (Or is it “Ani” ?), and all manner of things that emerge from them? This is the ultimate butt selective video I have ever seen.. Every imaginable type of ass in all manner of conceivable situations…
  • “Jurassic Fart” No description necessary. The sound effects will keep me up for weeks.. It was great.
  • “Dirdy Birdy” Ah… the adventures of Dirdy Birdy and Fergurina the Cat in a tree.. This one is excellent.
  • “Illusions of Life” Very strange look at the life of a man who totally hates his mother.. Interesting if nothing else.
  • “Finger Food” The phrase “Calgon, take me away” will take on a totally different meaning after viewing this one…as well as ever eating at a fast food restaurant ever again… Let’s say zits and french fries in one breath and leave the rest to your imagination…
  • “Smoking” Their version of an anti smoking ad and pretty effective if not completely gruesome… also very good
  • “Barflies” I thoroughly enjoyed this one.. but I am a Claymation fan from way back in the Davey and Goliath days.. so it may not count, but these barflies were funny as shit and very many of us can completely relate to the antics of two drunk-out- of-their-skins assholes who will do anything for a laugh…
  • “Booby Trap” Set in a strip club, it is a complete parody of the general Japan anime genre including the wonderful way the Japanese make us talk in their cartoons and thankfully including a cat fight between a stripper and…I dare not say WHAT she is fighting because it is too gross. But it is worth the watch..
  • “Big Top Asshole” No description necessary, except that it is full of gore and I loved the Lion Tamer getting stuck in the Lion’s cage with catnip in the seat of his pants.. hehehehe
  • “Little Rude Riding Hood” Yes, the old story with a new twist. No, she won’t swallow and you’ll find out why they call her “red”. Really great and disgusting all in one.
  • “Ah L’Amour” This is an excellent pencil drawing animation that is very graphic in it’s depiction of what women want from men. The phrase “I have Money” will take on new meanings… I want this T-Shirt!
  • “Hut Sluts” Summer and Tiffany are two California babes with partying in mind and they get it worse than they ever imagined. “yes, I got this tattoo in prison”. I will say no more…except maybe “blueballs” and I loved the fact that the asshole wore a condom (just to promote safe sex).
  • “Fast Driver” “Drive, Fast Racer, drive Fast Racer, Drive” This was my favorite I think. Based on a parody of the cartoon “Speed Racer” (I used to love to watch Speed Racer when I was a kid and had the theme song memorized) This cartoon depicted him as a total queer with an even queerer family (or friends.. whatever they were) and the portrayal was excellent in its severe overplaying of the emotions and action typical in anime.
  • “Home, Honey, I’m High” Yep, just what you think it is. Donna Reed’s family hooked on drugs. It was great.
  • “Sea Slugs” What do you do with a drunken sailor slug? Send him out to sea.. Then watch what happens… Very short, very funny
  • “Yes Timmy, There is a Santa Claus” Although my daughter was extremely offended by this piece, it shows how sick and twisted I am cause I was rolling in the aisles laughing at the irony of it all… Poor Timmy… Talk about melancholy and tortured…
  • “Baby’s New Formula” This one has everything.. Cats, babies, blowjobs, alien faces, drama. Don’t miss it.
  • “HornDog” Anyone who owns a dog understands the dilemma surrounding a dog that is *coming* of age…
  • “Sloaches FunHouse” This has to be in my opinion, the sickest, most offensive, incredibly gross piece of claymation I have ever witnessed in my entire life. It was crowned “The Sickest Film Ever Made” and I have to quietly agree with it. It contained almost every possible offensive bodily function you could ever imagine a clay figure doing. Even I was grossed out completely. And that, my friends, is a difficult task.
  • “Devil Went Down to Georgia” Action created by the same geniuses (geniiii??) who did “Nightmare Before Christmas” This short was great including performances by Les Claypool and the music of Charlie Daniels. Very reminiscent of “Nightmare” and very entertaining.
  • “Lloyd’s LunchBox” This has to be the alltime disgusting animation. Several shorts showing Lloyd doing gross things to himself that I can’t even describe without gagging. The Zit was the worst… or maybe it was the nose pick… I can’t decide, but believe me, it was gross beyond description and definitely worth watching on an empty stomach.
  • “No Neck Joe” Just listening to the audience screaming at the top of their lungs “NO NECK JOE” at the beginning of each nailbiting episode of No Neck Joe was worth the time spent trying to figure out why he has no fucking neck in the first place.
  • “Spirit of Christmas” The never-meant-to-be-seen episode of South Park, that spawned this killer animated series. Yes, folks, it’s Jesus vs. Santa Claus in a knock-out, drag-out wrestling match to determine who is the true mascot of Christmas. It was great and the fact that it was completely uncensored had me roaring listening to a bunch of primary school children using language that would make a truck driver blush.

I had to get the T-Shirt and bought a couple of the videos they had on sale. Discussed animation politics with the Em-Cee who politely told me that Wallace and Gromit were very big in England and did I know that? (no-duh) But all in all a worthwhile effort and one of the most memorable times I have had in a long time, with the exclusion of the time I almost forgot to “mind the bottle” in London. But that is another story…

[Chris Fata]


Yes, they’re back, bearing another selection of definitely Disney-free dubiety, both old favourites and new candidates — these reprobates screened South Park and Beavis + Butthead well before the mainstream took them on board. The styles on offer are wide and varied, from computer animation to stick figures and Claymation, and the results are equally diverse. Highlights included Die Hard in Under Two Minutes (80 seconds, to be precise), a super-condensation of Bruce’s best from Konstantin Bronzit, and Bowlin’ Fer Souls by Supergenius, an express elevator to hell. The Squirm-Inducing Oscar was tied between Horned Grandma – pretty much what it sounds like – and Tongue Twister, whose moral is best summarised as “don’t lick lamp-posts”.

Most of the films were by unknowns, though Powerpuff Girls creator Craig McCracken weighed in with some (rather disappointing) No Neck Joe ultra-shorts. More satisfactory was Bill Plympton’s Surprise Cinema, a fine showcase for a variety of cruel pranks. Similarly vicious was Billy’s Balloon, an official selection from Cannes last year, whose sparse animation was countered by the inventive psychopathy of the titular inflatable. Overall, there were more hits than misses, and with the longest film coming in at a mere six minutes, you were never far away from something amusing or memorable. Perhaps less ‘sick’ than I anticipated, yet there’s no denying that ‘twisted’ is a highly applicable word.


Spike and Mike return, with another selection of outrageous animation – except, it seems a little tame this year, with few real “Ewwwwww!” moments for the crowd to savour (though discovering why old ladies drive so slowly, will take quite some getting over…). As ever, the range and style on view was unsurpassed. And, as usual, the quality too varied hugely. Especially lame were heavy.com’s Behind the Music That Sucks – oh, my, slagging off Eminem and Britney Spears, how dangerous – which should have been retitled, “Behind the Animation That Sucks”. At the other end, Spumco’s Fuck Her Gently was lushly animated, and S&M regular Bill Plympton’s Eat was his usual elegant yet weird self, but lacked a decent punch-line. At the opposite end, technically, were Don Hertzfeldt’s A Bitter Tale and Rejected, getting a well-deserved repeat runout. Little more than stick-figures, they still raise fabulous observations on love, life and advertising – the line “My anus is bleeding!” has now entered the TC vocabulary. Also worthy of praise: Timmy’s Lessons in Nature from Mark Simon & T.J, and Radar Films’ When Chickens Attack, the shortest film on the program. But as this show proves, animation is truly a medium where size doesn’t matter – not when you have imagination.

Rating: C


TC’s fourth return to the world of S&M, and as ever, it runs the total range from the sublime to the ridiculous (in both good and bad ways), mixing new entries with old “favourites”. Quotes used advisedly: let’s be honest, it’s time for No Neck Joe and Hut Sluts to retire gracefully. While at the crap end of the spectrum, Sickcom proved it is possible for a 3-minute short to over-stay its welcome, Mama, I’m a Thug managed to be even less amusing, and Ninjews took the one joke of its title and stretched it thinly across a lengthy sequence of poor-quality claymation.

Fortunately, among general mediocrity, a few gems stood out – that’s why we keep going. Here are the TC medal-winners among the new entries (Billy’s Balloon remains a favourite otherwise), and a few other worthy contenders.

  • Tip of the TC hat: Cane Toad, Peepshow, Stubble Trouble.
  • Bronze. Big Abandoned Refrigerator Adventure. Two evil dolls go on a crime spree before meeting their nemesis in the shape of the titular appliance. Imagine Bride of Chucky: The Wonder Years.
  • Silver. Happy Tree Friends. A merchandising juggernaut now available at Hot Topic (the screaming pinata particularly appeals…), the shorts depict cute, furry critters meeting death in a variety of brutal ways. Heh-heh.
  • Gold. Here Comes Dr. Tran. A fabulous satire on cinematic consumerism, transforming an unwitting Vietnamese kid into the ultimate action hero (right); the 3D sequence alone is worth the admission price. I liked this so much, Dr. Tran now graces my desktop. What higher praise is possible?

Rating: A-E+
Feb 2004

That Damn Show


Phoenix Arizona Saturday 19 September 1998 – All Freaking Day…….

The Phunk Junkeez - out on 'work furlough'

The Phunk Junkeez - out on 'work furlough'

Let’s see.. where do I start? Picture this: A baseball stadium, big enough for 30,000 humans – and several more sub-humans – harboring a music festival of epic proportions, in an area of Arizona bordering a retirement community, which houses only ONE policeman. Picture the old farts paying extra money to hire Phoenix police as serious backup just in case we get a little ornery. Hehehe… Then, picture one of the bands being very late for the concert because they got busted in Buckeye, a town south of Phoenix, for “smoking controlled substances”, and being given a “work furlough” in order to make the concert at all.

Then, picture quite the number of strange and unusual people, some carrying inflatable dates (I witnessed that) and quite the number of vendors selling everything from stickers that said “nice people swallow”, to adult novelties (which included to my utter delight an inflatable sheep that came with its own KY jelly), to free condoms and old, used cd’s… Where else to find the tent for Trash City? Right in the damn middle of it, where else? Yes, folks, your American Ambassador squatted her team of Trash vendors and journalists here, at the Peoria Sports complex for “That Damn Show” sponsored by a local alternative radio station and a local American beer company. All my fans who read my stuff on a regular basis should recognize the Peoria Sports Complex when I had to take my son’s class on a field trip there to see a baseball game and wrote about it.

The festival itself started at 11:00am and went on till almost midnight. I arrived at the stadium at 7:00am to set up our tent. The bands were great, let me try to remember all of them, here goes:

Harvey Danger, not sitta-ing on a flagpole

Harvey Danger, not sitta-ing on a flagpole

  • Urge
  • Harvey Danger
  • Cake
  • Fuel
  • Jackie the Jokeman
    from Howard Stern’s show
  • Blink 182
  • Sugar Ray
  • 7 Mary 3
  • Goo Goo Dolls
  • Phunk Junkeez
  • Lenny Kravitz

There were more, but I can’t remember…my brain was fried. The temperature was 109 degrees and I got a serious-ass farmer tan on my neck and shoulders. There was a ton of people and I set up the camcorder to do “man on the street” interviews for Trash City. At some future point we will show you photos of just how weird people can be and just how willing they are to do anything, and I mean ANYTHING, in front of a camera, if they have the smallest inkling that they may be on TV. I just neglected to say that it would be MY television they would be on, not network TV of any sort. But hey, you know my favorite saying: “fuck ’em if they can’t take a joke.”

And we all love vindaloo...

And we all love vindaloo...

I got a good 28 minutes of hysteria on tape. Lots of TC fans telling the camera just what they think of Trash City and most of the responses were funny, witty, neglible, ignorant, unintelligible and downright obscene (may be considered offensive by British Customs and Excise). But despite the moral turpitude, one of the best parts was introducing the fans to the exercise of learning the lyrics to your pep rally song “Vindaloo”. [Oh, dear. I have to raise my hand at this point as the guilty party who sent Chris the CD… JhM] They began to think it was part of “Trash City Rules” so a lot of them used the chant “Vindaloo… Bucket!” in the videotaped interviews. Some day we may make that tape available for viewing to the general TC public, perhaps a “director’s cut” with everything left in, including a special wide-screen edition of “Trash City Bloopers”. But that’s only on the back burner of this American Ambassador’s charred flesh-for-brains.

One charming thing that stood out was “Miss Kathy’s Concessions”. I was reminded of the nostalgia days of ballroom dancing, of Fred Astaire dancing in night clubs, of the atmosphere of the 50’s and the romanticism that were “night clubs”, except these were Concession girls “Retro style”! They pulled up in a hot pink van and piled out of it, inflating plastic furniture and changing into costume: sequined miniskirts, fishnet stockings, 7″ spike high heels and bustiers that pushed their cleavage out into huge mounds under their chins. Then they hung trays from straps around their necks, filled to capacity with all manner of concessions, including lollies, chips, cigarettes, cigars, Ultra-sour Mega Warheads, and each girl went out into the bleachers spouting Betty Boop-like “Cigars, Cigarettes, Candy”. They were constantly selling out. I wonder why. I thought the concept was brilliant. It was retro, it was nostalgic, it was perfect. They told me they travel all over the country to different festivals doing this. I was impressed — and I am a female, and NOT a Lesbian. After saying that, I am sure that a huge percentage of the male populace enjoyed the visual displays they had on offer. And I don’t mean the trays around their necks… I just thought it was original thinking on Miss Kathy’s part.

All in all, a fun day, full of wild fans, great music, crappy food and expensive beer. This is the second year for this concert and judging from the enthusiasm shown, more than likely to become a tradition, unless the old farts from Sun City have any say about it. But we know what we’ll say if they try to stop it next year:


Chris Fata

What’s in that dark cloud overhead…? V98 review

Well, if it’s August, it must be time for the Chelmsford festival of all things pop, and V98 held for this undiscerning punter the following mixed bag…

Saturday – A nice fluffy summer’s day

  • iggypopIggy Pop – 8/10 Dinosaurs live longer these days (Main stage)
    ‘Lust For Life’ isn’t just a song title you know. It’s as much information as you need about Iggy Pop. For he’s still larging it, bouncing around and whipping the audience into a frenzy in a way that puts to shame many of the ‘new’ stars on parade. Iggy opted for a bit of crowd diving and was nearly sucked under, his microphone momentarily giving some karaoke quality time to an able and appreciative fan. The Popster must have Inspector Gadget sprung heels, as with more energy than Calvin & Hobbes he bounces and twists his way across the stage and back, leaving the appreciative audience short of breath and frankly wondering quite how he manages it. Exhausting stuff!
  • Gomez – 7/10 Interesting in a different sort of way (NME stage)
    Spinning out of some unnoticed field, neither left nor right, Gomez fills a a musical snack gap that you hadn’t realised existed. It’s not Oasis, nor Kula Shaker. It’s not one of the many thing that I shan’t bore you by listing. They play good music well. There’s light and shade, pace and emotion in there too. On stage the band enjoyed it, and so did we. Keep an ear open for Gomez, I don’t quite know where they’re going, or what they’re up to, but it’s going to be fun finding out.
  • Saint Etienne – 4/10 Too cool, too uninvolved (NME stage)
    The two backing singers where great. No really, they were. Playing percussion, dancing to every track, goading the audience along, and generally busy having a whale of a time. It’s a bit of a shame therefore that the rest of the band didn’t look behind them to see how it should be done. Whilst the Saint’s threw out their carefully controlled and constructed pop with precision, there was too little passion, too little committed involvement – the attitude seemed to be ‘oh yes I’m a pop star’ and to shrug in some ‘it’s just something I do’ way. Now, where did I put that dry ham role and my can of warm, flat cola?
  • Catatonia – 9/10 Oooh, there’s lovely isn’t it (NME stage)
    ‘Oi listen, you know the best thing about playin’ festivals in Britain?’ she called out, swigging the last drop from a bottle of wine, ‘The audience’s more pissed than I am!’ Cue fit of rolling laughter. Pumping the audience into life they kicked off, we responded and Catatonia rocked their way through a tight and varied selection that delighted all and when they strode into ‘Road Rage’ the audience went ballistic. For full-fat contrast during a slower number, when the power went on the accompanying guitar, she just sang on, and we all loved her for it. ‘Thanks very much for your help.’ afterwards she waved happily to us. Brilliant.
  • The Jesus and Mary Chain – 4/10 No singer, no style (NME stage)
    Having been barely audibly as he mumbled and moaned his way through the opening numbers, when the lead ‘singer’ sat down, to be hidden by the monitors and played his guitar it pretty much summed the whole gig up. Oh sure they play tight, slick, pumping guitar rock, but they’ve all the stage presence of recent road-kill and absolutely no singer at all. I advise them to watch any number of the other bands on display for that essential ‘how to perform and project’ guide, because we deserved better. What a waste, what a shame, what’s next?
  • The Verve – 7/10 Did they lip sync? (NME stage)
    I’ll be honest, I don’t much like The Verve. I’ll be more honest, I am not a fan of any of the Smiths-stylie navel retentive toss. And before you ask, I didn’t like the Smiths either, so stop pulling that face. Never the less, the Verve played well and keenly, the fans seemed by and large contented if not fantastically happy, it’s just that they don’t hold (for me) broad appeal enough to headline at a big festival. Sorry boys, but I expected better.
  • Underworld – 7/10 Play sequence 1, 2, 3 and 5, and repeat, fat boy (NME stage)
    Lager lager lager lager. Lacking any particular visual appeal other than that of the average nightclub they kicked out enough hippy trippy techno to get a good 80% of the audience dancing like loons. Nothing wrong here.

Sunday – Noah would have looked worried

  • Rialto – 7/10 Is John Lennon your dad? (Main stage)
    In that nothing-to-lose early afternoon slot Rialto managed to involve and excite a sizeable portion of an audience that, in all honesty, probably just happened to be milling about when they fired up. Good varied, toe tappers rolled out and soon the audience numbers standing and paying active attention were on the increase. To be honest whilst I can’t recall any song particularly, what there was of their classic style guitar, MOR rock worked admirably.
  • Feeder – 5/10 Fun, if you go that way (Main stage)
    Although their first three tuneless little ditties blurred into one, the surging jumping (not terribly large) crowd down at the front didn’t seem to care. Their heavy rock, nearing Korn territory, didn’t seem to be bringing many (or any) intrigued passer’s by and I didn’t stay. Hey-ho.
  • Heather Nova – 8/10 Ooh she’s gorgeous and BLIMEY can she sing! (NME stage)
    Carol King, erm, no, Cheryl Crow, erm no, that one who sings to the Lord for a Mercedes, no. Look she reminds me of someone (and someone damn good) but I can’t work out who, or indeed why. Obviously it doesn’t matter. Heather’s voice is strong, clear and effortlessly ethereal when needed. But this chick rocks, and is ably supported by a damn fine band – special mention goes to the lead guitarist, and the girl with the electric skeletal oboe: wired weirdness. No one-riff tricks here, it was a good set that seemed well balanced and drew a warm response from a curious and growing audience. Good stuff and here’s to the next time because I suspect her name went into many a mental notebook.
  • Stereophonics – 7/10 I remember thinking they were good (Main Stage)
    There’s nothing else to say really. I remember thinking at the time that they were good, it’s just that I cannot recall a single thing about them now. And yes, I’m worried.
  • James – 9/10 Good value (Main stage)
    I think that every lead singer should watch James, and particularly (obviously) the lead singer of The Jesus and Mary Chain. File the experience under ‘on stage charisma and audience involvement’. That they managed to elicit the response they richly deserved from a rain beaten crowd said a lot. Lively and entertaining they didn’t falter not even when one guitarist got caught full face with a bottle (plastic but full) and went down – this dangerous practice really is NOT part of the ‘festival experience’. As welcome as a hot meal on this cold, wet and windy day, James were excellent festival fare.
  • Republica – 10/10 Oh, just leave them on stage (NME stage)
    ‘Let’s be facking ‘avin’ ya then!’ screamed the hi-energy pocket rocket with the two tone red/black mop top. Like some demented Toyah Wilcox pumped high on adrenaline, Red Bull and life she ripped through the songs with lusty gusto and would have kicked the ever living daylights out of the surging, bouncing, ecstatic audience – fortunately the man-mountain security crew protected us. Tight, sharp and DeFiNiTeLy UP for it, the band rocked, the audience bayed for more, and the Essex Girl kicked ass. Hook her up to the national grid, we could all do with some of that sort of energy. Fackin’ fantastic.
  • Morcheeba – 8/10 Lovely (NME stage)
    ‘Let me see all those heads nodding.’ she sweetly mocked with a Cheshire’s grin, ‘Come on, bend your knees, it’s not difficult.’ For this is ‘Black Music’ for the ‘Middle English’, and we all duly and politely assembled to applaud and, yes dammit, nod gently along in time. Beguiling us with their warm charm the ‘cheebas took a stroll through their excellent two albums, the only vague disappointment was that they didn’t (noticeably) choose to put a spin on any of their numbers. Still, pretty much everyone in the audience had and knew the discs – albeit unable to sing along when requested. We all shrugged, their lyrics aren’t really sing-a-longy. We didn’t care, and I don’t think they did too much, for we were all too busy having fun.
  • PJ Harvey – 9/10 Darkly intense like rich Colombian coffee (NME stage)
    And like heady and bitingly strong coffee you either love it or don’t. The worryingly quiet crowd loved it, every little drop. Delayed by interminable setting up problems some disgruntled shouting was soon rubbed away when Polly Jean arrived, as in a rapt silence we drank deeply from her well of dark songs sung strongly. The thin drizzle swirled diamond glinting about her where smoke, spotlights and raven hair combined to frame her pale pale skin and ruby ruby lips, as out powered out a deep-set rhythm that savaged the psyche’s soft underbelly. The talented band threw the métier of their medium around with slick precise ease. Not enough, never enough. not when it’s this good. Disturbingly brilliant or brilliantly disturbing, take your pick.
  • Texas – 5/10 Nothing here to cause offence. (Main stage)
    Now I have to be careful here, because a) I’m not a fan and b) I was huddled under a tree whilst it rained – did I mention the rain yet? But then again this is where I watched James from, so here goes. With a nice sensible bob cut, big-message tee shirt, the lead singer seems crinkle cut from self-rolling dough, the perfect icon for middle management thirty somethings to come home to after a hard day at the office and relax with – just like the music, the band and the whole thing. When in a fulsome Scottish accent she declared that, in answer to some never heard question, she could rock, I kind of dreaded what would follow. So whilst intoning slightly some saucy lyrics she touched her groin, I and the rest of the audience seemed quietly embarrassed rather than excited. All in all, pretty pointless.
  • Ian Brown – 1/10 Oh, just GO AWAY! (NME stage)
    What musical creature is Ian Brown? I asked myself this question many times during his set. He’s got the personal charm of a verruca, the dance technique of a hill-walking rambler and an obvious fetish for wanting to be mistaken for ‘one of those naughty boys from Oasis’. Seeming to plagiarise everything current thirty months ago down to its lowest common denominator, this was ‘brit pop’ for the tone deaf. Out of the large audience a low percentage seemed to be actively enjoying it and a lot voted with their feet. I quite liked (aka felt sorry for) the band right up to the point the lead guitarist used his teeth to play a riff – well if they want to flush their obvious talents down the toilet this way, then that is their business. Rubbish.
  • Fun Lovin’ Criminals – 10/10 Super smooth, as cool as a Latin nights, bro! (NME stage)
    How to explain this. I’ve been trying to find the right words. How about these ones: cool, fun, sophisticated, energetic, Latin, smooth, rocking, beaty, involving, entertaining, slick, talented, funny, punk, controlled. Well there are enough words to be getting on with, so, without irony or use of negatives, construct as many sentences as you need containing these (or similar) words for that build-your-own-review experience. For the record they passed through Scooby Snacks, Smoke ‘Em, Fun Lovin’ Criminals and King of New York on their way to completing a top quality show. What was new sounded good, what we knew sounded great. Me, I’m still speechless – wow! 100% Pure Colombian bros!

To sum up V98, the site was well organised, the stages set in natural amphitheatres and each far enough apart to make them (almost) unintrusive for the other. For me the Sunday line-up was always going to be better, and so it proved. I missed Moloko, James Brown and All Saints to name but a very few, but that’s the way it goes. There was plenty of food available, almost too much choice to be honest, whereas the queues at the beer tents on (sunny) Saturday were bad enough to discourage casual drinkers – beer oddly enough wasn’t much in demand on Sunday, or rather Rainday.

To be frank, if I’d been camping, I would have hated Sunday, because it rained or drizzled pretty much the whole day. Any decamping would have left you with sacks of wet (not damp) gear and rain up to your elbows, although the previously bone dry ground took the rain pretty well and didn’t get anything more than slippery/slimy.

So was V98 better than V97? I’d say so, although it is a close call. Lacking the likes of the truly world class crowd-pleasers Blur and the likes of Kula Shaker, the ’98 vintage pulled ahead by virtue of its full bodied appeal – particularly on Sunday. That said, this year’s dance tent looked very slim – Bjorn Again (98) vs Sneaker Pimps (97) anyone? I’ll also confess to thinking that the running order looked questionable at times, as did the content – witness Catatonia, who I would prequalify as almost sure-fire crowd-pleasers on the alternate stage and lowish on the running order. Is that sensible in any language? I am left wondering how much influence the record or management companies have on the scheduling of the stages.

Well, that’s all in my humble opinion. I wonder what brew they’ll cook up for next year, and what delightful ‘Heather Nova’ style surprises will be in store? I can’t wait.