2nd Phoenix Film Festival: AMC Arizona Center, April 5th-7th, 2002

It’s spring, and a young man’s thoughts inevitably turn to…spending all day in the dark. Yep, it’s film fest time again, with Arizona’s own Phoenix Film Festival, back for its second year. For some reason, they invited us back too. Guess we’re not trying hard enough. 🙂

Things were slightly different from last year; fewer films, I think, but more chances to see them, which works fine for us harried acolytes who are making (inevitably futile) attempts to see everything. The staggered start times were a bit of a mixed blessing – while it does reduce the crush to get in when you don’t have three films beginning simultaneously, it occasionally led to perilous rushing between screens. Still, some things were the same as last year. The venue for one, though the Arizona Center seemed a good deal more…well, vacant than last year, exemplified by a food court where two-thirds of the units are unoccupied.

Not much better luck in the cinema, where the concession stands seemed wildly unprepared for people actually wanting snacks at 11am in the morning. We felt particularly bad about forcing the director of Jane White is Sick and Twisted to chase after us, waving a press-pack, as we sprinted off in search of something edible. Hopefully, he’ll understand that man cannot live by popcorn alone.

Sarah Graham Hayes from Dead Dogs Lie
Pic by Dennis Yeandle

Was delighted to see the punctuality of the festival remained as eccentric as ever – this is not an event for the fastidious clock-watcher, shall we say. Some of this was self-inflicted by the organisers: if you schedule a 100 minute film for noon, it’s a bit optimistic to have the next begin at 1:30pm! As a result, events started anywhere up to 45 minutes late, but the great thing is…no-one minded – all the more time to chat. And, as last year, without exception, people were more than happy to hang round and talk, a delightful change from bigger events where guests get bussed in, and escorted out. Mind you, could have done without the house lights coming up four separate times in the middle of one poor movie – it’s not like we were having sex or anything.

We crammed in seven films in a day and a half. It would have been eight, but an accident on Highway 51 delayed our arrival – just one of several oddities that weekend, including my receipt of a summons for jury service (dammit, you have to be a U.S. citizen, so no Twelve Angry Men role for me). Also caught the high-school short film program, which was a wide mix between the unexpected – Taken Away featured martial arts choreography worthy of a Hong Kong movie – and the…well, let’s just say a couple of the makers probably took time out from writing bad poetry in their bedrooms.

The regular features were, almost without exception, impressive. It’s immensely sad to realise the hard part is no longer making a movie, it’s giving anyone else the chance to see it. I have no doubt at all that if films like Drop Dead Roses or Dead Dogs Lie got to open in 3,000 screens across the continent, they would royally kick the arse of Van Wilder. That they get no such opportunity is unutterably sad – check out last year’s report, and see how few of 2001’s movies got any distribution. The organisers did get one foreign language film into this year’s festival, something I’d like to see more of – if chances to see low-budget English-language movies are thin on the ground, for overseas ones they’re effectively zero.

Maybe next year they’ll even expand it out beyond a weekend – with 300 submissions this year, there’s clearly a demand for a festival like this, and personally, I’m perhaps better equipped for stamina than a sprint (I always seem to end up wanting to lie down in a well-lit room for a while, having had quite enough of darkened ones). This is probably just me being greedy though; why have a weekend of fun when you can get a whole week?

[Thanks once again to Golan and everyone else at the PFF for their help and assistance, the film-makers for unfailing friendliness, even in the face of…er, us, and co-editor Chris Fata for dealing with ACT tests, suffering through another bout of shaky-cam nausea, and being everything one could want. And she’s all mine, hahaha!]

Phoenix 2003? Hell, yeah! Can’t wait!
Visit the Phoenix Film Festival website.

Festival Reviews

TC Awards

  • Best Film: Dead Dogs Lie and Jane White is Sick and Twisted – tie
  • Best Actor: Eddie McGee, Drop Dead Roses
  • Best Actress: Kris Carr, Five Years
  • Best Ensemble: Tommy Flanagan, Gary Stretch, Sarah Graham Hayes, Dead Dogs Lie
  • Best Director: David Michael Latt, Jane White is Sick and Twisted
  • Best Supporting Actor: Chris Hardwick, Jane White is Sick and Twisted
  • Best Supporting Actress: Barbi Castelvi, Drop Dead Roses
  • Best Script: David Warfield, Ocean Park

Hair Today, Gone Tomorrow

The temperature here in Phoenix is rising – 34C yesterday again. The swamp-cooler is going full blast. An ice-cream truck has just gone past, chimes blaring – or maybe these mobile phone rings are really getting out of control. The shorts have been broken out, and all black T-shirts will shortly be put at the back of the closet. What better time to start growing a beard?

Er, or perhaps not. The experiment with facial hair has officially ended, and I have returned to my usual, moderately clean-shaven self. It all began out of sheer laziness, really, simply by not bothering to shave at all. I’ve done this before, but never for long enough to make much of a difference. Most of my facial hair is blond, so it took about a week’s concerted razor avoidance before anyone at all noticed, usually with a quizzical “Didn’t you shave this morning?”.

The sole exception to this is my top lip which, for some reason or other, is dark. So, to actually reach proper bearded status, I had to go through the “slug lurking above my mouth” phase, which was so horrific I never managed it before. But now, being self-employed and working from home, I no longer have to bear the sarcastic slings and arrows of outrageous co-workers – just the stepkids Robert and Emily, and as usual, I just ignore them…

The only person whose opinion really mattered was Chris, my beloved. She was unconcerned by it all, despite her own relentless pursuit of smoothness which goes far beyond mine – need I say any more than “wax” here? – and stood by me through the aforementioned slug stage, till my actual beard became visible to the naked eye. Despite commenting that the photo at left looks like Tom Green, she thought it made me look “mature”, which I felt kinda ambivalent about, since this might be a polite way of saying “old”. Besides, I revel in my immaturity…

There were also more practical problems to be faced. The basic point of not shaving was to save time and effort, but short of letting it all go, I still had to tame the fiddly bits on my cheeks and neck. Given I shave in the shower, without the benefit of my contact lenses or a mirror, it was really one of those disasters waiting to happen. It was surely only a matter of time before a careless slice destroyed the work in progress, and forced me to begin again from scratch.

There was also the problem of food. I really don’t know how bearded people manage to avoid leaving half their portion entangled below their mouths. Maybe this is why there are so many bearded real ale enthusiasts – it’s the only form of nourishment they are physically able to consume. Curry, pasta, virtually all my favourite foods seemed to pose insufferable difficulties, and we’ll draw a veil over the whole Cinnamon Bun Incident, if you don’t mind.

In the end, it was all too much of a cross to bear, and though she professed neutrality, if the truth be told, I think Chris secretly preferred the smoother me. So it came off, and I’m now back to my normal range, between clean-shaven and medium stubbly. And me, I’m looking forward to a LARGE bowl of pasta.

Tear today, gone tomorrow – or Will the Real Halle Berry Please Shut Up?

As my contribution to the environment, might as well recycle last week’s headline – thinking up a new one would probably require beer, snacks, and electrical power for the TV and VCR, so we’re talking non-trivial effort here. Should point out it only makes sense if you pronounce it right: “teer” not “tare”, but such is the price we pay for socially-responsible copywriting. Speaking of booze, first, a note on last week’s editorial on the subject of licencing laws here in Phoenix. Regular Swedish TC-er Sven Taveby writers:

“Sweden has always had a rumour for many rules dealing with the selling and serving of alcohol, at least among Swedes. And never minding the fact that we sell more Absolut to the US than we import any booze from the rest of the world. Interesting to read that Arizona has the same licence system Sweden had ’til 10 years ago. The restaurant had to have 25% of its income from food in order to get a licence for alcohol. So many restaurants served cheap lunches at noon, closed shop til evening and became a bar after sundown… I remember one place that was a bar, and nothing else. I wondered how that was possible until I noticed the small door leading to the pizza restaurant next door, obviously with the same owner. Rumour had it some restaurants wrote “pizza” on the cocktail check, trying to fool the county officials. When that didn’t work anymore, because they could show no record of buying flour, they started to bake pizzas and throw them away, just to make the books look alright.”

Thoughts on last night’s Oscars:

  • It was mildly amusing, but not worth pre-empting Alias. Particularly not if it was a new episode.
  • It was nice to see the mentally ill honoured last night. Not only in A Beautiful Mind, but also by Cameron Diaz’ hair-style, borrowed from a New York bag lady.
  • What were Sharon Stone and John Travolta on? Apart from the brink of obscurity following once-promising careers, obviously.
  • Jennifer Connolly really needs to eat something now and again. Once a month would apparently be an improvement.
  • Never mind winning Oscars, did anyone out there even see Iris? Anyone? Anybody?

After last year, it was, however, largely back to business as usual, with political considerations supplanting anything artistic. With a black presenter and a black lifetime award winner, did anyone really doubt Denzel Washington and Halle Berry were going to win? And Peter Jackson’s chances were slim, since he’s spent the past three years toiling away in New Zealand, rather than on the talk-show circuit like Ron Howard.

The race issue perhaps merits more comment though, especially after Berry set a whole new standard for blubbering drivel in her acceptance speech, surpassing previous efforts by Roberts and Paltrow. Even before an Oscar-worthy performance (either that, or she needs to be committed to a secure facility), it was kinda hard to take Berry seriously since the reports – started by one of the movie’s producers! – that she was paid an extra $500K to spice up Swordfish by getting her tits out. Money wasted as far as I’m concerned; it’s been sitting round here on VCD for a year, and I still haven’t raised the enthusiasm to watch it.

Despite all the self-congratulatory back-slapping from the Academy, it’s hard to take their protestations of diversity seriously. How many Asian actors have ever been nominated? Indeed, how many non-English speakers? Equal opportunity, it seems, extends only as far as the Hollywood freeway. Denzel Washington is less suspect, since he has, at least, a track record of nominations, and no-one has ever claimed he dropped his shorts for money. But did Berry win because of her performance, or because of her skin colour? If it’s the former, then race is irrelevant, and she should be ashamed of herself for making it an issue. If it’s the latter, then it means nothing, and I would frankly be embarrassed to accept such an award.

I have my suspicions, but can’t properly comment, since I’ve not seen Monsters’ Ball. Once I realised it wasn’t a sequel to Monsters Inc., I kinda lost interest. And besides, if I want that sort of thing, I don’t need to go to the cinema, I can see Jerry Springer any afternoon. The thought does arise however: now that it has won an Oscar, will there be a sequel, The Monsters’ Other Ball?

Beer today, gone tomorrow

Healthwise, it’s probably true to say that my lifestyle has not improved since I came to Arizona. I’m eating more, though the absence of Tesco Ready Meals is probably no bad thing, and I’m certainly exercising less – the occasional game of racketball (or racquetball – debate on that one rages in this house, along with correct pronounciation of vitamin: VITE-amin or VIT-amin?) is about all, and that largely consists of us trying to stay in one spot, and waving hopefully in the direction of the ball as it whizzes towards us.

One plus is that my alcohol consumption has also declined, and become…well, less regurgitated. In the 16 months since getting here, I haven’t once found myself contemplating the toilet-bowl from the inside. [Not something I miss, at the risk of stating the bleedin’ obvious] The reasons for this are largely logistical, rather than any conscious choice. You pretty much have to drive everywhere in Phoenix, so either I’m behind the wheel, or Chris is, and it seems totally ungallant to get pissed while she sips on a Diet Coke. Besides, where’s the fun?

The only times we ever get moderately drunk is when we take a walk up the road. Though there are no dedicated bars in the immediate vicinity (not like Tulse Hill, where there were three within as many minutes), we have are a couple of restaurants with bars attached. The reason for this is, there’s a fixed number of bar licences available in Phoenix: you can only get one by purchasing it from the owner of a place that’s closing, which can cost $100,000. But if you get a certain amount of your sales in food, you can get a restaurant licence instead, and that’s only $2,000.

So most places allow you to combine food with alcohol – usually margaritas for Chris, beer for me (and it’s amazing how Mexican beer tastes ten times better when taken with Mexican food) – followed by a gentle stagger home. Occasionally, this meanders via Best Buy, for the purpose of cheap DVD acquisition. Though I’m not certain whether a bout of vomiting would be preferable to the Anna Nicole Smith double-bill, purchased on one such inebriated spree.

Our favourite haunt is Don Pablo’s Mexican Restaurant, most notable for the fact that we’ve never actually seen any Mexicans in there, either eating or (more remarkably) serving. This is in a state where virtually every low-paid service industry job (gardening, cleaning, etc.) is dominated by immigrants – legal and otherwise – from across the border. Yet Don Pablo’s appears to bar them from employment, at least in the front house.

This may be because it’s a Mexican restaurant, aimed at people who don’t actually like Mexico much (or perhaps, more pointedly, Mexicans). The interior is the sort of thing you’d see in Disneyland or a Las Vegas casino. Just as New York, New York is decorated to evoke the spirit of the city – without the rude residents, of course, so Don Pablo’s has a faux-Mexican style, designed to give the feeling of eating in a little provincial village – without the flies and subsequent bout of Montezuma’s Revenge.

My cynicism is, admittedly, from a point of view of ignorance, since I’ve never been to Mexico. But it’s not something I really want to do, and going by the face Chris makes whenever the topic arises, she doesn’t want to go either. Think it’s some kind of Hispanic caste thing, her being Cuban and all – the same way there’s a hierarchy of English speakers, with Scots at the top, naturally. 🙂

But I’ve heard too many horror stories – TC-er Andy Collins was mugged on a recent trip…not particularly unusual, perhaps, except in his case, it was by the police. He still loves the place though, but I suspect cheap tequila may be influencing his opinion. Me, I think I’ll be happier sticking to the fake version, available five minutes walk down the road.


It’s the End of the World As We Know It…

“(CNN) A sizable asteroid zipped near our planet this month without anyone noticing because it traveled through an astronomical blind spot, scientists said. The space boulder passed Earth within 288,000 miles on March 8, but since it came from the direction of the sun, scientists did not observe it until four days later. The object, slightly larger than one that flattened a vast expanse of Siberia in 1908, was one of the 10 closest known asteroids to approach Earth, astronomers said.”

Bit of a close thing, then – not really the sort of rock you want coming at a populated area, given that the one in Siberia, known as the Tunguska event, knocked down trees over a couple of thousand square miles. Though there’s actually some doubt over what that was – biological mutations and the lack of fragments have led some to speculate it was a UFO whose power plant blew up. Between that and Roswell, it’s quite reassuring to discover that ET’s can’t drive either.

Whatever it was, it landed in about the best place possible, from our point of view. Had it come down in water, as the odds favour, a tidal wave would have been the likely result. Had it hit Western Europe, one estimate puts the death toll at half a million. Instead, the main impact was an entry in the Guinness Book of Records, under “World’s Largest All-you-can-eat Barbecued Reindeer Buffet”.

Back in the present day, I find it interesting that news of the near approach was relegated to a minor report (no mention at all on the BBC web site, for example), after the fact. For it strikes me that, if any extinction-level event were ever in the offing, the general public would be the last people to know. Even NASA admits this: “The most likely warning today would be zero,” says their FAQ on the topic.

The mathematics involved don’t help. If we don’t know precisely – and I mean, precisely – how much an object weighs, we can’t tell how its path will be affected by other bodies in the solar system. A tiny error of just one-hundredth of one degree, over thirty million miles (a relatively small distance in astronomical terms), ends up more than 5000 miles out. Quite enough to make the aforementioned “bit of a close thing” become “straight between the eyes”.

But even if an amateur astronomer was to discover something barreling in this general direction, the people with the knowledge and computing power to work out whether or not it would hit the Earth are few and far between – it’s not something your average citizen could work out on a beer-mat. Such academics are also likely to be heavily reliant on government funding, and so probably would be amenable to pressure. Would any of them be prepared to go public?

The past history of such things, and human nature in general, combine to make me pessimistic. The last thing governments want is widespread panic, so I suspect any warning would be self-generated, extremely brief, and go something along the lines of, “What’s tha…”. It is ‘comforting’ to discover that we now have the Torino scale, which reduces the complex nature of all such threats to a number from 0 to 10. I firmly expect the needle to remain rooted at zero, right up until the North American continent becomes a smoking crater. We’ll then hear the line familiar to all bikers: “Sorry, mate, I didn’t see you!”.

Though actually, I can see the point of keeping it quiet; telling the general population wouldn’t help much, and would probably just cause a lot of senseless milling-around. There’s no way to tell exactly where any impact would occur – the wildly inaccurate stabs made whenever satellites come down tell us that much – and the old Protect and Survive saw about no place being safer than any other actually rings partly true, especially given the possibility of tidal-waves if it lands in the water. Better for the powers that be to get on quietly with firing Bruce Willis into space – an idea so appealing it might be worth faking it, merely to prevent any possibility of Hudson Hawk 2.

A couple of final thoughts – as Jerry Springer might say, if he were to host a show entitled When Near-Earth Objects Attack. In the process of researching this piece, I found a link to a document called “The Probability of Collisions With Earth” at Los Alamos National Laboratory. I note, with some alarm, that the file in question now needs a username and password to access it. I’m sure this is just a coincidence – nothing to worry about. And astronomer Duncan Steel has estimated that a rock of about 50 metres in size – big enough to wipe out New Jersey (not necessarily a bad thing, I grant you) – can be expected to hit Earth about once every 100 years. It’s been 94 years since Tunguska. Pleasant dreams.