Kindle Surprise: The Demon-Haunted World, by Carl Sagan

“The question, as always, is how good is the evidence? The burden of proof surely rests on the shoulders of those who advance such claims. Revealingly, some proponents hold that scepticism is a liability, that true science is inquiry without scepticism. They are perhaps halfway there. But halfway doesn’t do it. “

"Carl Sagan Planetary Society" by NASA/JPLIt’s no secret I enjoy conspiracies, and conspiracy theories. This is mostly for the entertainment value: the world would be a much more interesting place if those in power were, as David Icke has suggested, actually shape-shifting lizards. But a good general rule is, the bigger a conspiracy has to be, the less likely it is to be true. Another useful one is Hanlon’s razor: Never attribute to malice that which is adequately explained by stupidity. So was the government behind 9/11? I doubt it. Should the government have known about it? Quite probably: the dots were there, they just weren’t connected by anyone in possession of all the data. Did America shamelessly exploit it afterward for an entirely unconnected foreign policy agenda, specifically, the invasion of Iraq? Oh, hell, yes. This doesn’t require a conspiracy, just standard political opportunism.

On Reddit, I’ve been amused and irritated in about equal amounts by the /r/conspiracy forum there, whose contents run the gamut from entirely reasonable speculation through to batshit crazy, with a copious helping of anti-Semitism (thinly disguised as anti-“Zionism”) and a relentless belief that every thing is a “false flag” – including, in an Inception-style piece of circular thinking, some who believe the anti-Semitic posts are false flags, designed to discredit /r/conspiracy. My particular bete noire are those who believe the Sandy Hook massacre was not just a false flag, but never happened at all. Literally, nobody died: it was a grand piece of theater designed to… Well, no-one has come up with an adequate motive: the most commonly mentioned one, to promote gun-control, conveniently forget that not one piece of federal legislation subsequently became law.

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TC’s Ten Best Films of 2014

The final tally of films seen in 2014 was 317, which is a handful up on last year. Felt like a better selection, with submissions to the Phoenix FearCon representing a very significant chunk of the top tier. Mind you, they would probably also feature heavily if I did a list of the bottom ten films: there were a number of cases where I seriously had to wonder, in what universe this was a movie you’d show to anyone outside your immediate family. But those are already all but forgotten, and finding the gems listed below, which we’d never have seen otherwise, made up for it. Cinema going continues to decline, with traditional theater visits contributing a whopping total of… Two: Godzilla and Lucy.

In vaguely chronological order of viewing, honourable mentions that didn’t quite make the top 10, either because they weren’t quite good enough, or I couldn’t quite squeeze them in to even my famously loose definition of what constitutes “2014”: Wolf of Wall Street, Cat Run, Daddy’s Little Girl, Final Cut, Die Wand, Nurse 3D, Big Bad Wolves, Sharknado 2 [so sue me, it was fun], The Man in the Orange Jacket, Roseville, Mirage Men, Snowpiercer, Dead Snow 2, 009-1: The End of the Beginning and Gun Woman. Said definition is “got some kind of US screening or release in 2014, in one format or another,” and links go to wherever I wrote the longest review, which may be this site, or, in one case, over on


Incredibly Bad Film Show: Manos, Hands of Fate

Dir: Harold P. Warren
Star: Harold P. Warren, Tom Neyman, John Reynolds, Diane Mahree

It’s perhaps surprising, given my fondness for badfilm, that I had never quite got round to watching this, often regarded as the worst movie of all time. At one point, it was thus ranked on the IMDb: though it has now been replaced there (the current incumbent is this year’s Saving Christmas, though I suspect it won’t last, and will eventually return the crown to Birdemic), Manos remains in the bottom dozen. A lot of the responsibility for this has to belong to Mystery Science Theater 3000, who plucked the film from near-total obscurity when they picked it as a target in 1993 – to the shock of the cast, who hadn’t seen it in a quarter of a century. I watched their take on the film the morning after watching the “raw” version, and certainly can’t argue with it being perfect material for their satire. But, on the other hand, nor would I necessarily say I enjoyed it more.

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