Wrestlemania 26: An eye-witness review

wm2601If, as previously argued, wrestling has the potential to be art, then Wrestlemania is its Hermitage, Louvre and Guggenheim all rolled into one, except far more popular. The 26th incarnation of this wrestling extravaganza, with eleven matches in total, was held in Phoenix over the weekend. To give you some idea of the scale, it drew more people to the University of Phoenix stadium (confusingly, located in Glendale, not Phoenix), than when the Superbowl was held there in 2008, and setting a gate receipt record of $5.8m.

Along with 72,217 other people, Chris and I were in attendance, and after the jump, you’ll find our eye-witness review of the sports entertainment spectacle. But if you want to save time, we agreed that next year we’ll watch it on pay-per-view…

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The Art of the Remake

remakeIt’s remake week here at Trash City, so as well as reviewing a few examples of the “genre”, figured I might as well put together a few philosophical notes on the topic. Remakes tend to come in for a lot of flak, but they are something of a double-edged sword. Some of my favorite films have been remakes, and you might be surprised to learn that highly-regarded movies as diverse as Dangerous Liaisons, The Maltese Falcon, Against All Odds, Fatal Attraction and A Fistful of Dollars, all fall into the category to some extent. It is a somewhat nebulous group: technically, every film version of Hamlet ever made is a “remake,” but we’ve got to draw the line somewhere – so if it’s in the public domain, it’s fair game.

That said, there do appear to be certain guidelines which influence the remakes that are successful, from those that are regarded as cinematic abominations. After the jump, here are some thoughts on these rules.

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